h(u)man (2019)

h(u)man was a one night pop-up intervention within Open Eye Gallery’s Wake Up Together exhibition, which featured photographer Ren Hang’s work of Chinese sexuality in a heavily censored society. Showcasing a diverse array of works about identity, gender, AI and the body, the intervention encouraging visitors to reflect on what makes us human in the 21st century – a time when society becomes more complex with globalisation and technology evolves to make our lives more convenient but we grow ever more distant.

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18-25 (2018)

18 – 25 exhibited a selection of work exploring themes of nature and identity by Lancaster-based artists at the Herbarium, a garden cafe and event space in Lancaster. Situating the exhibition in a non-gallery space, 18-25 challenges the notion of the white cube. The exhibition explores the role of non-gallery spaces in developing existing and new audiences, interrogating if such spaces could activate people differently, making them actors rather than consumers.

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Home is where the ART is – pt.2 (2017)

Home is where the ART is (pt.2) comments on the condition of space and ownership: a foundation of the community, showcasing a selection of artists from the Up North Arts collective. Within the show, the home transforms itself from living room, to gallery space and back again, settling in a midpoint where artworks and architecture collide. Ideas of homeliness are challenged by the art object, following the conventions of contemporary craft.

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Past Forward (2017)

Past Forward explores reactivated and recycled historical ideas, positioning them within a contemporary context, featuring works by Up North Arts and Lancaster based artists. Situating the exhibition in a non gallery context, closer to the everyday lives of people in Lancaster, the exhibition simultaneously explores the significance of art experience and engagement in non-gallery spaces.

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